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on
the history of alchemy
(for a yahoo elist)
[note:
the folloing discussion was not part of an academic discourse, but
formed part of a casual discussion. So some concepts here may be
approximations based on rough memory.]
The question was asked: "Tradition tells us that alchemy
comes from ancient Egypt, but what in fact do we know about the
earliest references to alchemical concepts or practices that have
survived for archeological scrutiny?"
Consideration of the origins of alchemy are important for at least
one good reason. When contemplating and attempting to figure out
just what the actual (al)chemical boundaries are where the Great
Work (confecting the Philosopher's Stone) is concerned,
understanding the origins of alchemy, in comparison to modern
views in the subject, help our search immensely.
The first thing we need to be aware of is that alchemy can be
separated in to two primary disciplines: the lab tradition and the
so-called inner tradition. Even for those who don't have any
interest in the inner tradition, or don't believe it has any value
(and there are lots of people studying alchemy who fit in to that
slot), the reality is that it existed, was and is closely bound to
the lab tradition.
Academics agree with the esoteric tradition, that aspects of the
lab tradition were present in ancient Egypt. But the academic
basis for this observation are a group of papyri that have
survived until modern times, called the leyden papyri. But these
Egyptian documents almost exclusively contain records of chemical
operations that describe techniques for faking precious metals and
stones. Therefore, they can not, from a learned point of view, be
said to be evidence of the existence of a laboratory alchemical
tradition. If we are to make an educated guess as to what they
represent, we would have to say that they more readily belong to
an industry that was focused on producing jewelry and artworks.
Academia, though, tells us, based on these papyri, that alchemy
(at least in the early historic ages) was entirely based on the
art of faking precious metals and gems, and that the concept of
the art of transmutation and extended longevity came as a later
development. This line of reasoning canot be supported by anyone
that has a proper understanding of alchemy in its broader sense,
as we shall see in a moment.
These Leyden papyri date from the period of Egyptian history in
the few centuries leading immediately up to the beginning of the
Christian era. So they are part of the records of a time when 4000
years of Egyptian culture was seriously degenerating.
So from an (esoterically) educated point of view there are in fact
no surviving records which can definitely be said to represent an
accurate laboratory alchemical tradition in ancient Egypt 'before
the Greeks took over control' 300 years previous to the Christian
era. So the question then arises, how do we know that the ancient
Egyptians ever really did have an alchemical tradition, in its
broader sense? The answer to that question is found in a knowledge
of the inner tradition. To be able to understand the nature and
relativity of the inner tradition in relation to the lab
tradition, as that knowledge is necesary to answering these kinds
of questions.
Laboratory alchemy is in itself a model of a mechanism that exists
in nature. That is, the core formula that governs the laboratory
procedure is found at the heart of natural evolution. Alchemists
discovered this formula working in every department of nature, and
they applied that formula to (al)chemistry simply as a means of
teaching, learning and exploiting the mechanism - for higher
purposes. So we can say that this formula is present in the plant,
animal and mineral kingdoms. It is found governing over the growth
of social systems, art, politics, relationships, etc, etc. The lab
tradition exists as a model of this formula specifically applied
to chemistry. This formula was that which Paracelsus called
'spagyria'. It is the birth, life, death and rebirth mechanism of
all things, systems and conditions in nature. One of the things
some alchemists knew about this formula is that it not only exists
in the 'outer' world of physical phenomena, but it also exists as
the core governing mechanism in the 'inner' (psychological) world.
In other words, the birth, life, death and rebirth of our personal
and collective psyche is governed by natural alchemical (spagyric)
law. What this meant is that the same 'model' of reactions that
see carried out in the lab, could also be carried out in the
mind.v To understand just how that might be possible we need to
possess the skill of analogically transposing the lab model on to
the psychological model. Few people today possess uch a skill.
Specifically, just as the lab tradition ultimately is concerned
with the production of quintessences, and of the effect of
transmutation, rejuvenation, exaltation and longevity, so to was
the inner tradition concerned with the production of a
psycho-spiritual fifth Element, of the rejuvenation of the mind,
the exaltation of its functions and the extension of its healthy
activity.
Since we know that no living record of a lab tradition has
survived to be discovered, in ancient Egypt, we might ask then,
does any record of the inner tradition survive? And the answer to
that question is - it most assuredly does.
One of the oldest known records of an alchemical story theme is
found in the Epic of Gilgamesh. The story originates in ancient
Sumer, and has been dated at around 2500BCE. One of the key themes
in the epic is Gilgamesh's search for immortality. He begins this
search under the instruction of another human who was made
immortal by 'the gods'. But Gilgamesh didn't manage to follow his
teachers instruction effectively. So his teacher offered him a
lesser substitute, extended longevity. He was to attain that state
by harvesting a special plant from deep in the sea. But again
Gilgamesh didn't deal with the process properly, and messed up his
chances of success. Here we find one of the earliest concepts that
a natural substance could be procured that possessed the power to
extend human life and maintain good health. The story is
presented, obviously, as an allegory (the sea plant is not
supposed to be thought of as an actual plant, at least on the
surface of the story), but it is also possible that the ancient
Sumerians also knew of plants that had such properties. The story
is designed, of course, to be a psychological allegory. So
(considering the idea that the lab tradition and the inner
tradition follow the same natural laws), we might suggest that
whatever esoteric knowledge the epic was designed to preserve and
teach, it was a species of alchemic knowledge, since the ability
to rejuvenate and extend longevity comes under the depoatyment of
the spagyric process, which is part of the alchemical action of
nature.
The next historic occurance of significance can be found in the
records inscribed on the walls of burial chambers in ancient
Egypt. The so-called burial texts in the burial chamber of King
Unas (for example) is one of the earliest Egyptian examples. But
one of the most significant overtly 'alchemical' examples, best
preserved, is found in the burial chamber of King Thutmosis III,
dated at about 1500BCE. The chamber has a mural painted around its
walls depicting a psycho-drama the purpose of which was to obtain
a seriously powerful state of psycho-spiritual rejuvenation and
exaltation. As I have said the theme is blatantly alchemical, the
mural containing a number of symbols which have survived down to
our own time in the artwork of the medieval and renaissiance
Western alchemical tradition. (And it should be noted that the
medieval and renaissance authors of those symbols could not have
known about the origin of those symbols, which were still buried
beneath the sands of the valley of the Kings. This points to a
pure stream of unbroken oral tradition surviving over 3000 years,
across several major cultures). Here, for the first time, in a
historic context, we can clearly see a deeply psychological
explanation of the spagyric mechanics of the mind, containing also
hints of an (al)chemical interpretation of aspects of the drama.
We see the only clear surviving teaching of a once highly secret
esoteric system that understood the laws of (esoteric) physics and
the laws of (esoteric) psychology - that the inner and outer
realities are bound together by a single unified set of natural
laws, and a core natural mechanism that governed the mechanics of
both realms.
So if the Egyptians in fact never applied this kind of knowledge
physically, as a form of esoteric chemistry, then they certainly
knew the science in its first principles that gave access to the
development of the lab tradition.
The last idea that we should look at when considering the origins
of alchemy, especially the lab tradition, is - just how far back
in history can we go and still find examples of physical
technology that could have allowed occultists to apply spagyric
law to (al)chemistry? The reality is that for such a practice to
be possible we need two things: (1) a view of the most simple
method of producing transmutation agents and rejuvenatives (that
does not involve the use of chemicals that were unknown before the
Christian and Moslem eras), and (2) crude lab equipment capable of
being used to effect such preparations. I am not going to discuss
that subject here because it deserves a specific talk on its own.
Suffice it to say ... if we believe transmutation and rejuvenation
had been discovered (or learned) in the remotest periods of known
history, then we must consider under what experimental (lab)
conditions such preparations could have been produced. Once we can
learn these simple techniques and the nature of the equipment used
in those early experiments, then we find ourselves looking at a
condition of the lab tradition that is simple, uncluttered, and
clean - requiring none of the heady intellectualisms or
complicated chemical manipulations we are used to hearing about in
our own age.
In the hope of finding an avenue through which we might begin such
an investigation, could (we might ask, for example) the surviving
documentary evidence in the burial chamber of Thutmosis III
contain clues to a more simple and effective example of the route
to laboratory success?
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